Showing posts with label astri prugger. Show all posts
Showing posts with label astri prugger. Show all posts

Sunday, November 16, 2014

11th Annual Défilé Logis Rose-Virginie

When you attend as many as four fashion events in a week and no fewer than three in a month, over the course of at least one year, a lot of them tend to blend together in your mind. We have a surprising amount of fashion designers in Montreal, especially given the textile industry's decline here but, with that many fashion shows staged on a regular basis, you start to see the same designers, and sometimes the same pieces, over and over again.

Once in a while, you attend a show and you are highly entertained and left craving more. It could be the production level, the presentation of the garments, the designs themselves, the way guests and media are treated or, when you're really lucky, you're wowed with a lovely mixture of each of these elements. In the last year, I'd say that the Astri Prugger show, last winter, and the Melissa Nepton show SS15 show were the ones that really blew my mind.

All of this, coupled with the horrible cold I had been battling for a week, was probably why, although I was quite happy to cover this event (for not one, but two blogs), I wasn't expecting it to be the life-altering experience that it was.

On November 5th the Logis Rose-Virginie hosted their 11th annual fashion fundraiser at the Windsor Ballrooms, on Peel Street. If you haven't already heard of this organization, I beseech you to click on the link. In all honesty, I had never heard of them before this year...

I was a street kid when I was seventeen, going from sleeping outside, by the Ottawa River and squatting in abandoned homes to living in a condemned building. I ate, showered and did my laundry thanks to a youth drop-in center and I experienced and witnessed things that, when recalled, leave me with the exhilarating feeling of feeling so grateful to be alive. For a year, I found a home, some stability and some peace. I moved to Toronto with a boyfriend, got a job and went to college. Then I got pregnant with my daughter and moved to Montreal. I was twenty years old, on welfare and five months pregnant. I let a string of negative people into my life, had my son less than two years later and found myself, at twenty-three, on welfare with a baby and a toddler, unable to afford my rent and bills. Knowing that I was about to lose my home, I placed my children with an aunt and uncle. Someone called child services on me, even though I had done right by my children, while I stayed with a friend and tried to find work and an apartment. I found a terrible flat, in Rosemont, and brought my lease and keys to child services just six hours before they were to revoke custody of my two children from me, despite the fact that I had always made sure they were clothed, fed, loved, happy and safe. I had never done drugs and I had never hurt my children but my pink hair and the fact that I wanted to be a fashion designer really irked my worker. The file stayed open for a year, while I constantly proved to these strangers that I could care for my children without looking like everybody else and aspiring to be an accountant or a nurse. I battled depression during this time and life had become my own hell.

Years later, when I had gone back to school, gotten a handful of great jobs and started to finally live with enough ease to ward off the blues and anxiety, I vowed that I would one day do something to help other single mothers. I thought it would be fantastic if I could get enough grants to fix up an old building so that I could provide mothers with a home and have 24/7 counselling available on site. I wanted to put a daycare on the ground floor so that nobody would have to run through snow banks to make it to class on time because their daycare, located three miles from their school, opened late or have to beg their teachers and/or employers to let them leave early so that they could spend food money on a cab to get their children before the daycare closes. I vowed that I would find a way to help and that if I could make sure that even one mom was spared the insanity that I had to live as I struggled to make it as a functional adult in what society now is, it would somehow make the memory of those times a good one.

...And so, I left my two-storey apartment, where I was working on my clothing collection and on my memoir, strong, confidant and at least one world away from the one I just described, finger curls in my hair and stiletto oxfords on my feet...



What a beautiful event this was! The open bar served up wine and cocktails and Le Pois Penché had prepared a delicious assortment of miniature foods, from crispy, baked shells laden with salmon tartare to a variety of maki to prosciutto and melon on batons. The air was festive as people bid on multiple items at the silent auction, had their fill of wine and mingled with new and old friends alike.





At eight o'clock, we took our seats and waited for the show to begin. As Caroline Codsi and Melanie Joly each took some time at the podium to inform people a bit more about who exactly they were helping out, I was floored. Logis Rose-Virginie houses women in crisis for up to three years, providing them with 24/7 counselling and setting them up with the tools they require to get through detox, keep mental illness under control, get custody of their children back, go back to school, find work, etc.


It had always been this idea I'd had for "one day, when my business is successful enough" or "when I've built enough that I can prove to people who give out grants that I can undertake this sort of project" and, as I went about improving my own life, it somehow never occurred to me that I could do something to help an organization that already does this. Le Chainon has been on my list for a long time but, as previously mentioned, I had yet to hear about Le Logis. And so, the very first thing I can do to help is to tell you about them.

Up next, two women who currently live at Rose-Virginie shared their testimonials. They were tales of mental illness, addiction, dropping out, loss of child custody and more. There was barely a dry eye in the room and, when the last woman to speak told us that, after five years of spending Christmas away from her three children, she would get to spend the holidays with them, this year, unsupervised, thanks to the year-and-a-half of hard work she's put in while with the organization, I had to stifle a sob. Both women got standing ovations and the whoops of encouragement from the crowd encouraged more calls of "Bravo!" and everyone was smiling and applauding loudly.

There was a fashion show. Iris Setlakwe opened by showing some of her existing designs, which were modeled by local businesswomen. Afterward, some gentlemen came out to model clothing sold by Europa, this season. They had everyone whistling and clapping as they danced, pointed, occasionally shook their bottoms and strutted up and down the catwalk. The show ended with bang as Iris Setlakwe gave us a look at her SS15 collection. If you want to know more about the fashion show itself and see a few photos from that part of the event, I welcome you to check out the piece I wrote for The Models' Coach. As much as I enjoyed the show, my heart was still swollen from what had come before and what I would like to do, and that's what remains at the forefront of my mind. You'll be reading more about Iris Setlakwe in just a bit, though, as I had the pleasure of hearing her speak, two days later.

You'll also be hearing more about Le Logis Rose-Virginie if I have anything to say about it. In a few months, I'll be launching a business that, among other things, will provide people with a fun way to donate to charity and, thanks to what I heard and saw on November 5th, I am putting Le Logis on the list of charities I will be helping out. You often hear of campaigns proclaiming that "fashion cares" and, once in a while, it really truly does! I urge you to buy a ticket to next year's event, as the 12th Défilé will be in celebration of Le Logis' 25th anniversary and don't worry about forgetting about it-- I'll remind you!


Sunday, April 6, 2014

On Fashion Writing, (Mis)Representation, Compromise and Myself

Right as I had decided to start blogging for myself, over here, on a more regular basis, I got picked up by three other blogs. My experiences have been varied and I'm now pausing to openly contemplate my future as a writer.

The original idea was that I would write for other people's blogs for a year and then use the portfolio this created as a springboard that would hopefully lead me to print. In the meantime, I would add to this blog when I could, work on my first novel when I could and do all of this secondary to my clothing line. Now I find myself with a rapidly growing portfolio but feeling like quantity might be outweighing quality. There are some pieces I don't share on my portfolio or even on my facebook page because I know they're fluffy and, while I don't hand in any writing I'm not satisfied with, I also try to be picky about which pieces as I put forth as representations of myself. This aside, the writing I do is time-consuming. It's hours away from my family, from my designing, and from more inspired writing. All of this is okay if I love what I do.

1. I write for a local blog that is aimed at models. The purpose is to inform them of which shows are run how and to give them a hand navigating through the wilderness that is our fashion scene. I touch upon everything from an event's overall level of professionalism to the length of poses to the styling to the music selection and volume.

I do enjoy attending local fashion shows, as each one presents me with valuable lessons on what to do (and not do) when I present my own work and, while I do appreciate that not all shows are meant to be big, seamless productions, my tendency is to tell the truth, objectively but regardless. Where I'm struggling is with the amount of censoring I must apply to my pieces. If I attend a show where hems aren't pressed, zippers are twisted up, price tags are dangling from pieces, clothing is ill-fitting and long threads dangle from seams here and there, I am not allowed to write about it. I consider myself somewhat talented when it comes to balancing out positive and negative critiquing but the exceptionally low word count cap I have and the fact that I am forbidden to criticize negatively, leaves me with no choice but to sugar coat everything and to, essentially, fib. I think that, in the same way that I must select articles that represent me, models must do the same with their work and so I feel that all information is necessary.

My only other beef with this gig is that is leaves me yearning. Seeing all of these pieces walk down the runway makes me want to describe style elements, textures, styling decisions and sewing techniques. Astri Prugger Designs, Nisse, Travis Taddeo and Brit Wacher's designs make it hard for me not to elaborate. I want to meet with them in their environments, pick their brains and then share everything I've learned with you so that you can also appreciate them.

2. I write for an American vintage lifestyle blog. Or this is what it was when I was first hired, a little over a month ago. I was told to write about local vintage life so I wrote a piece on Montreal's evolving burlesque scene and three pieces on local shops that perpetuate vintage living. Two weeks ago, I was told that the site the blog is affiliated with will soon begin selling items and that my blog pieces should tie into said goods. I was told that I could write about vintage lifestyle from time to time but that my focus has to shift over to "vintage lamps, sofas, scarves, etc.". I can't say I'm feeling that.

EDIT (April 30th): Things have taken a turn for the best and I'm excited about the new directions I'm headed in with this blog.

3. I was hired by a seemingly prominent men's fashion blog, based in the UK. I pitched several ideas to them and they proceeded to write about each one before hiring me, which more than irritated me but I bit my tongue because I wanted the experience. We talked numbers and it was agreed that they would pay me half of what the Montreal blog pays me for pieces that are three times as long and require double the research. I submitted a shopping guide for end-of-season resort travels. I was then asked to switch over to entertainment writing and was asked to cover "style icon" Kanye West. Confederate flag-wearing Kanye, gentlemen? One day, if I write for a magazine and they ask me to cover someone I abhor, I will do as asked and do it well. Will I do it for $17? No. I asked them if I could write bi-weekly, given the recent genre shift and was told that this might be possible as of next month. I think I know what I need to do in this case.

I recently decided that waiting a year to begin writing for print is nonsense. I pitched the editor-in-chief of a prominent fashion magazine last week and will pitch someone every week until I get a bite. That was proactive decision number one.

I think the second important decision I have made is to once more bring some of my focus back to this blog. I may not get paid to write here but I am free to be creative and honest and, while I will indeed share news of my line, I will never sell out and start covering a product. I write about many things but, when it comes to blogging, I like to keep it to lifestyle and fashion. I will continue to write for the local blog, for the experience it is providing me with, and will do my best to filter myself, as counter-intuitive as that is, but I think I'll be fishing for better leads when it comes to writing for others.


Saturday, March 8, 2014

En Pointe Fashion Show. My latest piece for The Models' Coach.

 
Design by Free WordPress Themes | Bloggerized by Lasantha - Premium Blogger Themes | Online Project management